Questionable Questing

Then you can explore why the man needs a slave to begin with. He has money and power. He already has other woman. Why does he specifically need a slave. An inability to trust other people? An inability to be vulnerable even around loved ones? A desire to hurt people. Then you take that and explore the relationship. How they make each other worse or better.

Mark's dick being big, that is weak. Mark being a super strong born to war killer who gets girls horny because he is bathed in the metaphorical virility of a mantle made from the gore of his enemies, hands dripping with bone and viscera? Now that is actual fucking good seduction.

All of that is the fun part to me. The introduction to seemingly normal or put together characters, and the unraveling as the closer and more intimate they become with their lovers the more you see the broken glass shards hiding underneath and see why they have the fetish and desires. The sex is the introduction to all that.

Broken glass shards. Good language. And more Pale Lights? I do like that book series and in general with porn, there's never anything except big dick. Given the infinite power to write phermone abusing raping werewolves, savage raiders, vicious mafia sons. To make monsters and heroes. People default to vanahila or wimps. For fuck's sake

More pale lights. How does it's magic system work? And yeah porn, I feel like has been getting a little better in the last couple years. If only because the vastness of the internet allows fetish and communities to form that couldn't ever in the past. But that also comes with a flood of some of the lowest effort slop that makes finding anything good harder than ever. Even if it is out there.

AI has not helped and ontop of this consider how little story matters and when it is good, it is enslaved to tropes. People write porn to get off, not to make stories. And never to have a dominant cool interesting protag. God forbid. Or you get a inhuman monster like in Crowned Conquest.

So there are Contracts with Gods and Signs. Want to hear of Contracts or signs and witchcraft first?

Contracts. Sound the most interesting.

You would be wrong
Contracts are made with Gods. Often the Contract is designed in a way to feed a God. Fortuna is the goddess of Tristan and she will make it so when he takes extra good luck, he gains in return bad luck.

The stronger the Contract, the more often the price will be harsher. However, evidence in the story suggests for people loved by their gods like Tristan they'll get a fair or reduced price. One girl who could sense the most likely cause of her death for the next three hours only had to make tiny shrines every year or so. Contractors are not priests. Those are different. We don't know a lot about High Priests yet.

We have seen two examples of their power and it is greater then a normal Contract. Contracts in general are limited magic. Once in a while you get a flaming sword that at the price of eating away at who holds it will burn and cut everything, but more often than not its a minor gift like superhuman thunder claps. Or knocking someone asleep with a touch. Greater magic is for Gloam signs and witchcraft.

Well don't leave me in suspense. What's witchcraft? lol

Signs and witchcraft are the same but different. Both use Gloam, both draw symbols in the air with it. However, Signs tend for what I would call greek style logical metaphysics. It aims for a science. To understand principles. Gloam is shaped with its properties in mind.

Witchcraft is sympathetic, drawing connections between ideas and thoughts of symbols. We see Craft summmons a Gloam lizard to enter and erupt from inside a corpose to explode it. That Witchcraft can conjure shadowy thorned roots or exploding ravens. Craft tends to make constructs while Signs generate effects like a spear or a burst of fire. Craft evokes gods, Signs don't.

Craft fucks around with rituals, Signs of the Navigator guild of the Watch don't.

So witches connect with concepts at the risk of being consumed by them. While contract, make deals with representatives of the concepts, otherwise known as gods, for less power but for more clearly defined boundaries.

Yes to the Contracts. Witches are using Signs same as Navigators but the Craft is different from Watch Signs in doing things in ways the principled ways of the Watch don't. The Craft and Signs both use Gloam. The dark magic mist destructive to life that covers most of the world and makes Navigators important to fight against Gloam storms at sea.

Gloam we are told in book 2 may work because by being in infinite dark it suspends all other states and rules, meaning that in Gloam there is nothing and the infinite nothing allows the manipulation of reality. I think.
Dude it is really good when you read it but fuck is it deep think. Actual good philosophy on the nature of reality tied to this magic.

Have a sample
"
Captain Totec had explained it as an effect of observational solipsism, a reduction of the metaphysical impurities that came from the Material being observed by a lucent mind. It was a provable conclusion, measured and recorded and stripped clean of anything the Navigators deemed to smell of mysticism. The Akelarre wanted no uncertainty in their Signs or the principles guiding them.

Practitioners of the Craft spoke instead of sympathy, about the thinning of thresholds between world and Nav and how the soul-effigy became eminent by straddling is and could-be. It was an intuitive answer, meant to guide the mind along thought-paths that reinforced themselves. A craft of words to make craftsmen of those who heard it.

To wield the Gloam was an act of will, whether that will was used to trace the resonant solidity of the Signs or to sculpt intention into act as the Craft did, but 'will' was not an absolute. It was a finite resource. Humans were animals, embers of divinity trapped inside beasts, and the beast weighed it all down. Will could not be made greater save by time and training, but the beast could be lulled into sleep