XXIX: A Houseboat on the Greenblood
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Chapter XXIX: A Houseboat on the Greenblood
The fact that, on a sudden whim, I introduced to this new world the game of chess had hilariously worked against me. I knew the rules of the game, where each piece on the board should be. What I did not have was any particular talent for the game, the mind for chess strategies or the knowledge of them – I had scarcely played the game when I lived before.
My uncle, who had taken a great liking to the game, had at first been eager to play with me, thinking that if I "invented" the game, I would be proficient at it. But after his many and repeated victory, he sought a better partner. Of course, that genius of chess, who had captivated his free time since, was my sister Elaena, and that was quite humbling for me. But Elaena took those opportunities with her uncle, emboldened by me, to ask of him, in the curious manner of children, of the affairs of the realm, and he was more often than not content to indulge her.
I had returned to the game during my campaign in Dorne, for the most sycophantic commanders had taken to portray their proposed battle plans in term of chess, as if to endear their ideas to my mind – but they were more skilled at it than me. And it was a pleasant enough pastime to whittle away at the many hours of boredom that accompanied the multitude of sieges. And many they were. It was said among the soldiers that Daeron had come to battle with the Dornish, and I to siege them, he had made short work of the Dornish, while I was more found of "prolonging their sufferings".
Even now, I fiddled with the game, while awaiting a response from the Orphans of the Greenblood, to whom I sent envoys.
At last, I saw the ornate, carved and painted pole boats of the river nomads approach Planky Town. My brother had once called their homes "hovels bult on rafts", but he most likely had suffered from the blazing sun a bit too much and had not seen straight, or it had been a needlessly untruthful, and malicious jest.
The Orphans had always held themselves separate from the rest of the Dornish, and in their blood flowed the purest of Rhoynar blood. They sailed up and down the Greenblood, singing laments for the cities of the fallen Rhoyne. Laments were not all that they sang. If one stood on the banks of the river on a clear and warm night, one could hear the songs of courting couples, lullabies, and dancing melodies, and bask under the starry and enjoy the pleasant tickling of one's ears.
They called their laments "the songs of the Rhoyne" and they sang of their old princes and princesses; of the Mother Rhoyne, the Old Man of the River, and the Crab King. They sang of lost and fallen cities: of Ar Noy, Chroyane, Ghoyan Drohe, Ny Sar, Sr Mell and Sarhoy. They sang of the Rhoynish Wars and Garin the Great's curse, and of the ten thousand ships of Nymeria.
I could understand their yearning for their lost past. I had walked past the banks of the Little Rhoyne, were Garin's curse did not reach, and it was a wondrous river. I had seen Ghoyan Drohe with my own eyes, and even if the canals were choked with reeds and mud, and pools of stagnant water were filled with swarms of files, one could still see the broken stones of temples and palaces, sinking back into the earth – the few and paltry remains of old glory. Few and paltry they were, but when I looked upon them, I could see the beauty and the skill that had been brough low by my ancestors and their beasts of war.
Then there were the sweet-water songs, songs performed in rhythmic talking or chanting by men, and with flourishes and elaborations by women. They were often improvised, singing of love or marriage. They were sung between courting couples, or at weddings – the man singing a couplet, and the woman answering, and so on – songs that could go on and on, often for hours. The weddings were full of songs – to welcome the gods and men to the ceremony, songs to invoke good luck upon the bride and groom, and the highest point of the feast being the attempts to encourage the bride to sing a bawdy song.
The Orphans more often that not duelled with song, not blade. Instead of insult that referred to one's lack of martial valour, or cowardice, they levied insult concerning one's lack of repertory, or ability. They then competed in their skills, singing all the songs they knew – the one who had exhausted his songs first was the loser. This song-battles led to one's rise in prestige, and often were conducted in the presence of the fairest of their maidens.
They also sang while rowing, and working, or at feast – nostalgic songs sung by elder men of the halcyon days of youth. They sang of lovers departing – bemoaning their abandon, bidding them to stay, or cursing them for their obstinance in leaving.
The now-wed maiden departing the house of their parents sang her parting song to her parents and kin, them answering in kind. She sang of wifely duty, of the wretched pain in her heart at the thought of leaving home – her mother giving her advice on wedded life in verses sung.
Then there were the laments of present pains, of death of kin, of friends or lovers. This were the most natural of song, unbound my usual structures, words and music flowing freely from the pain in one's heart. Heart-wrenching melodies, mournful words sung by choirs of women.
That is not to say that singing was all they did – their way of life was not but of word, but of deed too. Many of them were fishermen or worked on the fields and orchards along the banks of the river come harvest time. The Rhoynar who had come with Nymeria had been skilled in metalcraft, but the best of them had made their living on land and sand, and among the Orphans you could find but tinkerers – their trade more useful though to the smallfolk than the skill in crafting the best arms and armour in Westeros.
Yet even their skills as tinkerers they held close to their blood, taking apprentices but of their own blood. Not unlike the Orphans, the best of the Dornish smiths had the purest of Rhoynar blood, for they wed among their guild and took as apprentice but their firstborn sons, whom they married to the daughters of other smiths, keeping the secrets of their trade close and safe.
At last, word came of their agreement. But it was I who was supposed to go to them, for they would not treat on land, but on water. My knights protested, but I prevailed over their will and, joined by a few of my Kingsguard, I found myself in a houseboat with their chiefs. They were clad in colourful clothes, the richest among them wearing satin or silk.
They were understandably reluctant in treating with a "dragon prince" as they called me, though the fact that the first words I said were "Εὖ ἰδεῖν, ὦ τιμητοὶ ἄρχοντες." ("Well met, honoured chiefs"). They had laughed, and replied "Φύλαξον ἀπὸ δράκοντος καὶ ἐν τῷ φέρειν δῶρα." ("Beware of dragons even when bearing gifts"). Yet they did not reject my gifts, for the gifts were not a Trojan horse, but ancient manuscripts of their own culture, some bought centuries ago from Ny Sar itself, before its fall.
We conducted our talks in the Rhoynish language, which I was fortunate to know, having learned it for the purpose of studying whatever remained written of the works of the Rhoynar, to see what influence they had left on the sacred writings of the Faith, when in ancient times Andals and Rhoynar met. It was also a show of goodwill towards them, for it was the dragon prince who spoke their language, while the Red Princes of the blood of Nymeria had forbid their native tongue.
My offer was simple. I asked of them to do naught to hinder the advance of my army in the Greenblood Valley, to not aid, through word, or deed, my enemies in Dorne and to accept me as their ruler. For that, I offered to strike down the odious edict of the Red Princes, allowing them forevermore to speak freely their language. I offered to name no lord over them, to allow them free reign upon their river, to pay their taxes to the Iron Throne only, and to grant their chiefs the permission to bring their pleas for justice before the king – they would answer only before the king of the Rhoynar and his men. I offered not to burden their trade and trades with manifold taxes and customs, and not to summon them for war – allowing their peaceful nature to flourish.
I claimed myself in front of them king of the Rhoynar, as it was my title, to allow them such privileges, but I did not count among them the Dornish, in whom the Rhoynar blood was lesser – more among the Salty ones, and paltry among the Stony. I had come to claim the lands of Dorne and fashion them anew, but I left the water of the river to the Orphans of the Greenblood – but they were not to deny those living upon its shore the right to sail it or to fish in it, though those who wished to ferry goods upon it were required to pay a fee to the Orphans.
I had called myself king of the Rhoynar, and the Orphans the Rhoynar to allow them to worship their Mother without trouble or septons preaching and raving about heresy. The Andals had their Seven, the First Men their Old Gods, and the Rhoynar would be free to worship Mother Rhoyne.
It took me many hours to convince them of the truth and sincerity of my words, or of the power I held to make it the law of the land:
"We may trust your oath, dragon prince, for we have heard you hold great love for your seven gods, and they shall surely strike you down if you prove false. But your grand castle is far beyond the Red Mountains, and the lords of Dorne close to our waters. You might leave, Valyrian, but the great men who hold the lands of the river valley have long been accustomed to fine us for speaking what our mothers taught us and we have grown tired of singing our work songs in a foreign tongue. Does your sword arm reach across the Red Mountains to strike them down?"
"I am the prince who decides the destiny of rolling rivers, I keep on the straight and narrow path the righteous who follow the One's counsel. If I fix a fate, who shall alter it? If I but say the word, who shall change it?" I replied to them. But fine words as they were, taken straight from an ancient tale of my old world, they were not enough to calm the worrying hearts and minds of their chiefs.
"I shall break and sunder Dorne, give the Red Mountains and the Desert to other kingdoms and keep the lands of the Greenblood for my own. I have struck down and I shall strike down the rebel Dornish lords, those faithless, treacherous, despicable dogs. I shall name new lords from my own lands, who know and obey my will, and over them shall rule in my stead a man whose blood is kin to me and holds dear to his heart my words and edicts. They shall be my hands that shall keep the peace, the justice, and these promises that I would swear to you and yours."
They had argued long and loudly among themselves, before agreeing to my proposal. The long and tedious hours of our summit were enlightened for but an hour, as a chieftain had just now though the time and place proper to challenge another to a song-battle based upon some perceived insult. Instead of singing old songs, he had made a melody and lyrics improvised then and there, spoken and sung at great speed, throwing at him further and rhythming and rhyming insults, the other answering in kind.
At last, they were all of one mind, and I swore an oath to them to keep forever, me and my heirs, the privileges I had granted them, and they swore oaths of fealty on behalf of their people and kin. And our oaths and promises were written down, with my seal and their signatures upon them. Thrice they were written, as insisted by them – once in Rhoynish, the language of the Orphans; once in High Valyrian, the language of the dragon prince; and once in the Common Tongue, for all the men of the Seven Kingdoms to understand and abide by.
It was done, and I broke bread and salt with those in Dorne who once had greater reason of undying hatred against me and the Valyrian blood that coursed through my veins, and my path up the Greenblood was clear, without need for the Oakenfist to force it.