Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
This one, except maybe a less-broken power, or a less-broken interpretation of that power.
This one, except maybe a less-broken power, or a less-broken interpretation of that power.
Does the opponent have to be Scion? Any fanfic with him in it seems to devolve into biggatons.Already put some limits it honestly. So I probably wont unbreak it further. Given that my enemy is going to be Scion, I kinda need it at it's current power level my interpretation puts it at.
Though you might want to head to my storytime thread and vote for it. Here is a link to it if it's needed. link
Agreed.Does the opponent have to be Scion? Any fanfic with him in it seems to devolve into biggatons.
Does the opponent have to be Scion? Any fanfic with him in it seems to devolve into biggatons.
Just have him die off screen or something.Does the opponent have to be Scion? Any fanfic with him in it seems to devolve into biggatons.
The graduation to the cosmic level is almost universally seen as a bad move on Wildbow's part, though.-shrugs-
Kinda have to blame Wilbow for that one. He's basically the final boss lurking the the background that my SI would know about. But would do nothing about since trying right away would kill her and probably every human in all the dimensions Scion locked.
Honestly I'm hoping I have enough character conflict because Emma will be OP, there is no way around that. But the power isn't going to be everything the story is about.
Though this all depends if it gets the most votes, and Neko is currently winning with about a 4 vote lead.
The graduation to the cosmic level is almost universally seen as a bad move on Wildbow's part, though.
An SI given a more mediocre power would have to find a way to work around it, or not fight Scion at all and leave him to the events of canon.
Not really. Have Cauldron take him out off-screen. Yes, this is ascribing more competence to Cauldron than they actually have, but it gets rid of the railroading that Scion being around will cause, and if you have a mutual kill, no chance of the walking plot device that is Contessa potentially ruin your story. In addition, I have not seen a single fic that's momentum is not killed when an Endbringer shows up, so if Eidolon dies as well, then the Endbringers go dormant like canon.Yeah, but it's part of the Worm multiverse. Ignoring it is just lazy writing.
My vote's 3. Although, that may or may not be do to excessive watching of Carmen Sandiego as a kid.3. A Simple Thief- My CYOA SI where I am Madison with the mad talent to steal anything.
I can name a few. The rest, I blame on shit writers.In addition, I have not seen a single fic that's momentum is not killed when an Endbringer shows up
My vote's 3. Although, that may or may not be do to excessive watching of Carmen Sandiego as a kid.![]()
Amelia had an Endbringer problem; it was just a different one from usual. Every battle against an original-creation Endbringer, after the first one, was terrible. Pointlessly bleak, even story-ruining when combined with all the other flaws present in the fic. (TanaNari, you're lying to yourself if you don't think your fic has flaws. Every story does.)Creator bias eliminates yours from your list. That goes for any author; I'm not singling you out.
I agree. Although honestly dealing with the Endbringers, while *necessary* and *plot essential* for my fic, and I worked in all kinds of stuff I'm proud of with that section, was not my favorite part.Creator bias eliminates yours from your list. That goes for any author; I'm not singling you out.
The sunk cost fallacy was the primary reason I stayed on as long as I did.
Not very well.
He didn't treat them that way. It actually started off fairly decently, some of the DC/Marvel characters dying, but he was using the weaker, animated versions. No problem with that. The problem is he didn't treat the settings equally. None of the major Worm capes died off, just the same meaningless names we saw in canon. Should've killed Bitch or Armsmaster or Glory Girl or someone. Then the Slaughterhoues 9 show up in the middle, something that has never happened during an Endbringer fight, for the express purpose of 'showing' DC and Marvel how "dark" Worm is.Yours is the DC/Marvel/Worm fusion, right? I don't like fusions, so I don't read them.
But you can absolutely play it straight. Marvel has its Galactus and whatever that dude with the super armor was and the Skrull invasions and those wraith-things and Hell Itself flooding through New York.
DC has Doomsday and Darseid and Rainbow Lantern Extravoganzas and alien invasions of more types than I care to count.
Compared to most of those, Endbringers are the smallest kids on the block.
Sure I can, and have, and do.
Absolutely, and I was MORE than happy when I got it. When someone pointed at what I did/was doing wrong, why it was wrong, and offered suggestions on how to fix it? That is what legitimate criticism is... and I loved every second of THAT. Actually, they were always my favorite posts because they were the ones I could best use to improve my writing.
And what about this?It is, sadly, quite rare, but I love it and absorbed it eagerly.
You just provided a great example. He brought up a legitimate issue with the Endbringer fights, namely, that it they are pointlessly bleak. It's not just him, even the most dedicated readers admitted that they skipped over the Endbringer fights because they were so meaningless and dull. You chose to call Swift 'butthurt' and ignored his Endbringer issues to bring up Skittertale for some reason.There-there, I'm sure the butthurt will go away some day.
But seriously, YOU left because I didn't let Tattletale and Taylor be all lovey-dovey, and got mad at me when I dismissed your complaints. As usual, I was a dick about it (I am nothing if not honest and self aware). Don't try and pretend otherwise.
Can you show me a example? I'm curious.And TanaNari? I followed your fic for some time before I finally dropped it, and read a lot of the discussion in-between chapters. You can't take criticism. Yes, there was bitching, but there was also legitimate criticism. You equally railed against it all. That doesn't speak kindly of you.
Your unapologetic sinking of the Lisa/Taylor friend-ship was not the only problem I had with Amelia. It was just the final straw. I had all sorts of other problems with the fic before that point, but none of them were bad enough, on their own, to override the sunk cost fallacy.But seriously, YOU left because I didn't let Tattletale and Taylor be all lovey-dovey, and got mad at me when I dismissed your complaints. Don't try and pretend otherwise.
Ah, but that is hardly a legitimate issue. It was the tone I was setting, very much deliberately. They were absolutely bleak, but that was the nature of that part of the story. It was, for lack of a better immediate descriptor, the tone of a war story. Because that was the type of story I was going for during those arcs.He brought up a legitimate issue with the Endbringer fights, namely, that it they are pointlessly bleak.
Nowadays, I can barely read one of your posts without wanting to punch you through the Internet.
Because they're matters of *taste*, not matters of skill, story execution, or mechanisms to achieve the author's goal better than the author achieved. If swift could do any of the latter- explain to me how to set a strong tone of hopelessness and the steady ravages and trauma of constant conflict on the human psyche- better than what I was doing? Then that would be criticism.
Because this is where he threw a hissy fit and I told him I didn't give a fuck and he started complaining all the time in every thread I happen to mention anything about Amelia in.
Not very well.
He didn't treat them that way. It actually started off fairly decently, some of the DC/Marvel characters dying, but he was using the weaker, animated versions. No problem with that. The problem is he didn't treat the settings equally. None of the major Worm capes died off, just the same meaningless names we saw in canon. Should've killed Bitch or Armsmaster or Glory Girl or someone. Then the Slaughterhoues 9 show up in the middle, something that has never happened during an Endbringer fight, for the express purpose of 'showing' DC and Marvel how "dark" Worm is.
Is "darkboner" a word? Because it should be one.
Not sure i'd call it a fusion, as both DC and Marvel are a separate universe that crosses over via dimensional travel.Yours is the DC/Marvel/Worm fusion, right? I don't like fusions, so I don't read them.
But you can absolutely play it straight. Marvel has its Galactus and whatever that dude with the super armor was and the Skrull invasions and those wraith-things and Hell Itself flooding through New York.
DC has Doomsday and Darseid and Rainbow Lantern Extravoganzas and psychotic alt-universe Kryptonians and alien invasions of more types than I care to count.
Compared to most of those, Endbringers are the smallest bullies on the block.
Remember: ultimately, Worm is a *deconstruction* of the Superhero genre, in much the same way Evangelion is a deconstruction of the Mech genre (why is it that deconstructions always have so much incest and/or rape?).
The Endbringers represent the relatively common "crisis crossover" arcs. Notice how they have one attack every four months or so? Haha. Not subtle, Wildbow. Not. Subtle.
I wouldn't be so critical if you were polite. Politeness costs you nothing and you refuse to use it.Well, what do you call this:
If not the basic definition of butthurt.
I don't think you understand what "the straw that broke the camel's back" means.Because this is where he threw a hissy fit and I told him I didn't give a fuck and he started complaining all the time in every thread I happen to mention anything about Amelia in.
The thing is, war stories have the occasional up moments, which were nonexistent in those so-called 'war stories.'Ah, but that is hardly a legitimate issue. It was the tone I was setting, very much deliberately. They were absolutely bleak, but that was the nature of that part of the story. It was, for lack of a better immediate descriptor, the tone of a war story. Because that was the type of story I was going for during those arcs.
In other arcs, I dipped my toes into film noir, murder mysteries, romantic comedy, drama and moral quandary. For the Endbringer portion, it was a war story.
Your attitude can get grating. Irritation and butthurt are two different things.Well, what do you call this:
If not the basic definition of butthurt?
I repeat, many people are awful at criticism. Look at the thousands of people who rant about Twilight. Most don't say anything about how to improve the writing, just that there is something wrong with it. Just because they can't write a thesis about it doesn't make their criticism any less valid.Because they're matters of *taste*, not matters of skill, story execution, or mechanisms to achieve the author's goal better than the author achieved. If swift could do any of the latter- explain to me how to set a strong tone of hopelessness and the steady ravages and trauma of constant conflict on the human psyche- better than what I was doing? Then that would be criticism.
Perhaps you shouldn't cherry-pick arguments. He said this was the "straw that broke the camel's back." And I repeat: your attitude can get grating. The reason he rants against you and Amelia is that any time you do mention that story, it's to sing its praises about how you think it did this or that better than other fics. He's far from the only one who gets irritated with it.Because this is where he threw a hissy fit and I told him I didn't give a fuck and he started complaining all the time in every thread I happen to mention anything about Amelia in.